Master-Class
"Directing Actors With Rebecca Miller"
Moderated by NYU Professor, Mr. Veronique Bernard

Wednesday April 13th, 2005
(1PM Tisch 1027)

Actress & Director Rebecca Miller
Ms. Miller began her directing film career in 1990 with her short film “"Florence”. Her acting credits include: Mike Nichols’ “Regarding Henry”, Alan J. Pakula's “"Consenting Adults” and Alan Rudolph's “Mrs. Parker and The Vicious Circle”.

Ms. Miller made her feature directing debut with “Angela” in 1995. In 2002, she adapted her personal collection of short stories titled “Personal Velocity: Three Portraits”, which won the Grand Jury Prize and Best Cinematography at Sundance Film Festival. In 2005, she completed her third feature “The Ballad of Jack & Rose” starring Catherine Keener and Academy Award Winner Daniel Day-Lewis. For more information visit IFC Films.

Limited seating; RSVP to invitation required.

An Eye On Surrealist Cinema: The Films of Germaine Dulac
A screening of clips from “The Smiling Miss Beudet”
and “The Seashell And The Clergyman”

Wednesday April 13th, 2005
(6PM in Tisch School of the Arts, Auditorium 008)

“As one of the leading radical feminists of her day, she was editor of La Française, the organ of the French suffragette movement. She also doubled as theater and cinema critic of the publication and became increasingly enamored with film as an art form. In 1915 she formed, with her husband, a small production company, Delia Film, and began directing highly inventive, small-budget pictures. Chronologically, she was the second woman director in French films, after Alice Guy, a contemporary of Méliès.

With La Fête Espagnole (1919) and her masterpiece, La Souriante Madame Beudet (1923), Dulac emerged as a leading figure in the impressionist movement in French films.

In the late 20s, she was an important part of the "second avant-garde" of the French cinema with the surrealistic The Seashell and the Clergyman / La Coquille et le Clergyman (1927) and a number of other experimental films. In these as well as in her theoretical writing, her goal was "pure" cinema, free from any influence from literature, the stage, or even the other visual arts. She talked of "musically constructed" films, or "films made according to the rules of visual music." (— Ephraim Katz, The Film Encyclopedia)

Dulac was also instrumental in the development of cinema clubs throughout France in the mid-20s. Sound put an end to her experimentations and her career as a director. From 1930 until her death she was in charge of newsreel production at Pathé, then at Gaumont.”

Ménage-à-Trois
The Relationship between Writer, Director and Producer

Thursday April 14th, 2005
(6.30PM at Cantor Theater, 8th Street & University Place)

In an industry that relies on this symbiotic relationship between writer, director & producer, young filmmakers must understand the process of bringing an idea to the screen. Based on their invaluable professional experience, our panel guests will share their views of the creative and business aspects of film script development and project packaging.
What are the steps of script development in the independent feature world?
At what stage does the Director come in? The Producer?
What does the involvement of actors and agents in script and production development today?
Is it advisable for a young screenwriter to demand to direct his or her own script?
Do you have experience with projects, which remained in development for years without reaching the screen?
How do you scout new talents?

GUEST SPEAKERS

Producer & Development Executive at IFC, Holly Becker
Holly Becker is the executive producer for such films as: “Pieces O April”, “This So Called Disaster - Sam Shepard directs the late Henry Moss”, Miranda July’s “Me And You And Everyone We Know” (Note: Fusion Festival’s special screening: Friday 15th at Cantor), “American Gun”…etc.

Producer Eva Kolodner
While working with Killer Films, Eva Kolodner produced the Academy Award-winning film “Boys Don’t Cry”. Kolodner worked her way up in production under the tutelage of producer Christine Vachon on such independent film classics as “Kids”, “I Shot Andy Warhol” and “Happiness”. In 2000, Kolodner left her role as Director of Development at Killer to become Head of Production at Madstone Films, a unique digital production, distribution and exhibition company. At Madstone she produced “Rhinoceeros Eyes” starring Michael Pitt, which won the Discovery Award at the Toronto Film Festival in 2003. Later that year, she founded Salty Features with producing partner Yael Melamede. Salty is currently in post-production on “Bam Bam And Celeste”, written by and starring comedian Margaret Cho. The film also features Alan Cumming, Kathy Najimy and Jane Lynch.

Director Mary Harron
Mary Harron began her filmmaking career creating documentaries for British television. She has also directed episodes of a number of television series, including 'Homicide', 'Oz', 'The L Word' and 'Six Feet Under'.
Her first feature film, 'I Shot Andy Warhol' appeared in 1996, followed by the controversial, internationally successful 'American Psycho' in 2000. She recently completed 'The Notorious Bettie Page', to be released in autumn 2005. She is currently working on a film based on the book 'Please Kill Me', this story of New York punk rock in the 1970's.

Director Debra Granik
Debra Granik worked as a documentary videographer before attending NYU’s graduate film program. Ms. Granik received multiple awards for her work including the Nestor Almendros Award for Cinematography (1997 and 2000) and production awards from Martin Scorsese and Warner Brothers. She completed “Side by Side”, her Graduate Thesis film and foray into digital filmmaking, for which she received a Wasserman Award. Her first feature is “Down To The Bone”, a script based on her award-winning short film “Snake Feed”, which was written and work-shopped at the Sundance Screen writing and Directors Labs. “Down To The Bone” won the Nantucket Film Festival's Screenplay competition June 2002.

Writers and Artists Agency Founder, Joan Scott
Joan Scott was one of the first women in a predominantly male industry of talent agency. She is responsible for starting careers of such talented actors as: Henry Winkler, James Wood, Harrison Ford, Elizabeth McGovern, Bill Macy, James Gandolfini… and also director Philip Noyce, or writer David Magee… and many others. She created The Writers and Artists Agency in 1970. Now in her 70s, she still works in New York City as a literary manager. Ms. Scott was part of the industry jury for Fusion Screenplay Competition this year.

The Discussion will be moderated by NYU Film Writing Professor, Paul Thompson
Paul Thompson was born in England, where he worked extensively as a writer, director, actor, teacher. As a writer, his work has been performed in England, as well as in Germany, Hungary, Sweden, Canada, the USA and Australia. He was resident dramatist with the Royal Shakespeare Company (1977) and with the The National Theatre (1977-79). He has also written for BBC Television, BBC Radio and feature films. He has directed at numerous theatres in England, Australia, and the United States.

click to download a printable pdf of this document

Talent Scout
Short Film Competition #1

Thursday April 14th, 2005
(8PM at Cantor Theater)

Buoi Chieu (Afternoon)
9min 45sec - Drama
Director: Kim Spurlock
D.P.: Angela Cheng

Synopsis: no synopsis at this time


This Morning
10min 45sec - Documentary
Director: Lucy Mulloy

Synopsis: no synopsis at this time


Under My Skin
15min - Narrative/Experimental
Director: Molly Fair
D.P.: Sunita Prasad

Synopsis: no synopsis at this time


Ten Souls Rising
19min 30sec - Narrative
Director: Emily Rosdeitcher
D.P.: Grant Greenberg

Synopsis: no synopsis at this time

Director's Bio
Emily Rosdeitcher completed her M.F.A. in film at New York University’s Tisch School of the Arts in 2004.  She also has a B.A. in French and Russian literature from Wellesley College and a J.D. from Columbia Law School.  Emily practiced law for several years before throwing all caution to the wind and becoming a filmmaker.  “Ten Souls Rising,” her master’s thesis film, has won two awards at NYU: the Richard Vague Award and the Warner Bros. Pictures Film Production Grant.  Emily also served as cinematographer for the documentary film “Out of Status” (Pia Sawhney and Sanjna Singh, directors), an official selection at the Rotterdam International Film Festival, the Asian-American International Film Festival, the Edinburgh International Film Festival and the Durban International Film Festival, all in 2004.

Director of Photography's bio
Born and raised in South Africa, Grant trained as an actor before earning a lucky break into the South African Television industry were he worked as a young director.  Way out of his depth, he soon realized that if he was serious about making it in the feature film industry he would need some intensive practical training.  So, upon being acceptance into NYU’s Graduate Film Program he turned his back on his burgeoning career and threw his things in a backpack and hopped on a plane for the States.

Since entering the program in 2001, Grant has shot fours thesis level films and numerous other shorter projects.  He is currently in pre-production for his own thesis film, which he will be directing in May 2005.


Reunited
4min 40sec - Animation
Director: Zoya Baker

Synopsis: A ghost boy returns to home many years after he died and is reunited with his aged parents.

Director's Bio
REUNITED is Zoya Baker’s senior thesis film completed at NYU in January 2005.

Zoya Baker spent her first year at NYU in the drama department. She transferred to the film department her sophomore year. Since then her concentration in the film department has been animation. Zoya’s background in drama has helped her develop the performance of her animated characters.


Ten and Two
12min 30sec - Drama
Director: Angela Cheng
D.P.: Kim Spurlock

Synopsis: no synopsis at this time


Under the Harlem Moon
19min - Period Piece / Drama
Director: Liesl Davis
D.P.: Anneliese Paull

Synopsis: no synopsis at this time

Talent Scout
Scriptwriting Competition

Table Readings
Friday April 15th, 2005
(130PM to 6PM at Tisch 006)

Finalist Scripts will be read by young professional actors and directed by Ms. Pennie Dupont.

Feature Film Scripts
"Subway Theory” written by Elaine Quan
"Speed of Light” written by Taniya Hossain
"Babyface” written by Casper Wong

Short Film Scripts
“Goyta” written by Joanna Jurewicz
“Suzy Q” written by Larissa Zageris
“The Joint Birthday Party” written by Gina Lolonde

SCREENING: "Me And You And Everyone We Know"
Performance Artist and Director, Miranda July's First Feature, which premiered at Sundance this year, followed by Q&A with the director.

Friday April 15th, 2005
(7-9PM at Cantor Theater)

Miranda July makes movies, performances, recordings and combinations of these things. Her short movies ( Haysha Royko, The Amateurist, Nest of Tens, Getting Stronger Every Day) have been screened internationally at sites such as the Museum of Modern Art and the Guggenheim Museum. Nest of Tens and a sound installation, The Drifters, were presented in the 2002 Whitney Biennial. July participated in the 2004 Whitney Biennial with learningtoloveyoumore.com, created with support from the Creative Capital foundation and in collaboration with artist Harrell Fletcher. July's multi-media performances (Love Diamond, The Swan Tool, How I Learned to Draw) have been presented at venues such as the Institute of Contemporary Art in London and The Kitchen in New York. July's stories can be read in The Paris Review and The Harvard Review and her radio performances can be heard regularly on NPR's The Next Big Thing. July's first feature-length film, Me and You and Everyone We Know (IFC Films / FilmFour) premiered in January 2005 at the Sundance Film Festival, and will be released theatrically in Summer 2005.

(from www.mirandajuly.com)
www.ifcfilms.com

Recording Reality
Portraits of Society in Narrative and Documentary

Saturday April 16th, 2005
(2PM at Tisch School of the Arts, auditorium 006)

Through the experience of directors and cinematographers, we want to highlight elements of contemporary society as viewed in documentary and narrative films. Our panel guests will share their ideological and aesthetic views on how and why they choose to portray social issues in their films.

What informs the pull to certain creative ideas that involve social or political issues?
How does one reckon with censorship at every stage in the development of the project?
(particularly the censorship of the marketplace)
What are some of the considerations that accompany conveying a point of view?
What is the responsibility of the filmmaker to his or her audience (in choosing social or politically charged material)?
And what is the responsibility of the filmmaker to his or her subject?
Do these every conflict or collide?

GUEST SPEAKERS

Director Nicole Kassell
Kassell is a recent graduate of NYU Tisch School’s graduate film program, where her thesis film, “The Green Hour”, was honored with the Warner Bros. Pictures Film Production Award and was an official selection of the 2002 Sundance Film Festival. She made her feature-directing debut with “The Woodsman”, starring Kevin Bacon released in 2004. The screenplay took first prize in the 2001 Slamdance screenplay competition and the film was nominated for the Grand Jury Prize at Sundance Film Festival 2004.

Director, Producer and Cinematographer, Kristi Jacobson
An award-winning independent documentary filmmaker whose body of work tackles a wide range of significant social concerns including violence against women, workers’ rights, HIV and AIDS, capital punishment, and homelessness. Her work has been featured on HBO, A&E, Lifetime, ABC Television, Sundance Channel and PBS. She directed and shot “American Standoff”, which premiered at the 2002 Sundance Film Festival; she is currently in post-production of “Toots Shor: Bigger Than Life” about famous personality and New York City restaurant-owner Shor.

Director Maryann DeLeo (Academy Award Winner, 2004)
A documentary filmmaker for the past 20 years, Maryann DeLeo has received numerous awards, including 2 National Emmy Awards, for her work in various social and international issues. Her last film “Chernobyl Heart”, produced and released on HBO by Sheila Nevins, captures the effects of radiation on the children of Belarus since the nuclear accident in 1996. For “Chernobyl Heart”, she received an Academy Award For Best Documentary Short Subject in 2004.

The Discussion will be moderated by NYU Graduate Film Professor of Aesthetics, Gail Segal
Gail Segal has worked in the documentary film community in New York City for 20 years, as a producer to include her work on the Peabody Award winning film, “Arguing the World.”. She is also an accomplished poet and writer. She is currently developing a feature film project set in Southwest, Georgia and a collection of essays entitled, “Behind the Scenes: Essays on the Construction of Cinema Style.” She has served on the Advisory Board of the Department of Art and Society at NYU’s Tisch School of the Arts since its inception in 1999.

click to download a printable pdf of this document

Talent Scout
Short Film Competition #2

Saturday April 16th, 2005
(7PM at Cantor Theater)

Very Shorts
1.
Exercise in Communication
Synopsis: no synopsis at this time

2. All Gum Fix
Synopsis: no synopsis at this time

3. Gamine dir. Sharon Barnes
Synopsis:
“Gamine” is set in an American backyard during the early 1940s.  A tomboy and her mother engage in womanly chores.  Bored, the young girl misbehaves and is disciplined by her mother.  As a result, the girl discovers a new world.

Director's Bio: Sharon Barnes, a New York based Director and Producer, has created narrative and documentary films that have screened at festivals worldwide.  Her short documentary that she collaborated on with Angela Cheng “Confession: A film about Ariel Schrag” won Best Short Audience Award at New Festival and was recently bought by PBS, Channel 13 in NYC.  “Gamine” is her latest work in narrative film.
Barnes was also the Associate Producer for “Film School”, a ten-part documentary series that aired on the Independent Film Channel in the fall of 2004 for ten weeks.
Drawing from her political background as a White House Appointee for the Clinton Administration, Sharon crafts films involving social justice themes. 


This Is Not A Picture
6min 30sec - Narrative
Director: Joel Levin
D.P.: Jacqueline Castel

Synopsis: no synopsis at this time


Breached
17min 30min
Director: Laura Richard
D.P.: Magela Crosignani

Synopsis: A pregnant Mexican woman is determined to have her baby on american soil.


A Sunny Day
8min 57sec - Drama
Director: Eun Oh
D.P.: Jonathan Chen

Synopsis: no synopsis at this time


Rubber Soles
10min - Drama
Director: Christine Turner
D.P.: Marshall Stief

Synopsis: no synopsis at this time


Earnie
19min - Drama
Director: Toshiharu Takatsuka
D.P.: Kathryn Westergaard

Synopsis: no synopsis at this time


Breathe Out Cold
23min - Drama
Director: Cheyanne Casey
D.P.: Andy Motz, Steven Huber, George Su

Synopsis: no synopsis at this time